The Routledge companion to scenography / (Record no. 28798)

MARC details
000 -LEADER
fixed length control field 06482cam a2200337Ii 4500
001 - CONTROL NUMBER
control field 9781315688817
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 180706s2017 enka o 000 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781315688817
Qualifying information (e-book : PDF)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781317422259
Qualifying information (e-book: Mobi)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781138917804
Qualifying information (hardback)
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.4324/9781317422266
Source of number or code doi
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1002186753
040 ## - CATALOGING SOURCE
Original cataloging agency FlBoTFG
Transcribing agency FlBoTFG
Description conventions rda
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN2091.S8
Item number R68 2017
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 792.025
Item number R869
245 04 - TITLE STATEMENT
Title The Routledge companion to scenography /
Statement of responsibility, etc. edited by Arnold Aronson.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Routledge,
Date of production, publication, distribution, manufacture, or copyright notice 2017.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (xxvi, 594 pages)
336 ## - CONTENT TYPE
Content type term text
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Source rdacarrier
505 00 - FORMATTED CONTENTS NOTE
Title part, I Scenographic elements --
-- chapter Introduction --
-- Scenography or design /
Statement of responsibility Arnold Aronson --
Title chapter 1 Stage and Audience --
-- Constructing relations and opportunities /
Statement of responsibility Beth Weinstein --
Title chapter 2 Scenery /
Statement of responsibility Thea Brejzek --
Title chapter 3 Costume /
Statement of responsibility Michelle Liu Carriger --
Title chapter 4 Light and Projection /
Statement of responsibility Scott Palmer --
Title chapter 5 Sound (design) /
Statement of responsibility David Roesner --
Title chapter 6 Scenography and the Senses --
-- Engaging the tactile, olfactory, and gustatory senses /
Statement of responsibility Stephen Di Benedetto --
Title part, II Scenographic theory and criticism --
-- chapter 7 THEATRICAL LANGUAGES --
-- The scenographic turn and the linguistic turn /
Statement of responsibility Austin E. Quigley --
Title chapter 8 Seeing scenography --
-- Scopic regimes and the body of the spectator /
Statement of responsibility Joslin McKinney --
Title chapter 9 Absolute, abstract, and abject --
-- Learning from the event-space of the historical avant-garde /
Statement of responsibility Dorita M. Hannah --
Title chapter 10 “What is happening” --
-- Notes on the scenographic impulse in modern and contemporary art /
Statement of responsibility Kevin Lotery --
Title chapter 11 Scenography Beyond Theatre --
-- Designing POLIN, the Museum of the History of Polish Jews /
Statement of responsibility Arnaud Dechelle --
Title chapter 12 Participation, Interaction, Atmosphere, Projection --
-- New forms of technological agency and behavior in recent scenographic practice /
Statement of responsibility Chris Salter --
Title part, Architecture as design /
Statement of responsibility C. W. Marshall --
Title part, Spatial and environmental design /
Statement of responsibility C. W. Marshall --
Title chapter 13 Scenography in Greece and Rome --
-- The first thousand years /
Statement of responsibility C. W. Marshall --
Title chapter 14 Imagining the Sanskrit Stage /
Statement of responsibility Amanda Culp --
Title chapter 15 Tudor and Stuart Scenography /
Statement of responsibility Andrew Gurr --
Title chapter 16 Playing with materials --
-- Performing effect on the indoor Jacobean stage /
Statement of responsibility Jane Collins --
Title chapter 17 Architecture as Design --
-- Early Modern theatres of France and Spain, 1486–1789 /
Statement of responsibility Franklin J. Hildy --
Title chapter 18 The Open-Stage Movement /
Statement of responsibility Dennis Kennedy --
Title part, Pictorial and illusionistic design /
Statement of responsibility C. W. Marshall --
Title chapter 19 Medieval Scenography --
-- Places, scaffolds, and iconography /
Statement of responsibility Gordon Kipling --
Title chapter 20 Storyteller as Time-traveler in Mohammed ben Abdallah’s Song of the Pharaoh --
-- Multimedia avant-garde theatre in Ghana /
Statement of responsibility Jesse Weaver Shipley --
Title chapter 21 Environmental Theatre --
-- Selected Asian models /
Statement of responsibility Kathy Foley --
Title chapter 22 The City as Theatre 1 /
Statement of responsibility Marvin Carlson --
Title chapter 23 Site-specific Theatre /
Statement of responsibility Mike Pearson --
Title chapter 24 Free reign? --
-- Designing the spectator in immersive theatre /
Statement of responsibility W. B. Worthen --
Title part, Symbolic and emblematic design /
Statement of responsibility C. W. Marshall --
Title chapter 25 Scenography in the First Decades of Opera 1 /
Statement of responsibility Evan Baker --
Title chapter 26 Restoration and Eighteenth-Century England /
Statement of responsibility David Kornhaber --
Title chapter 27 Eighteenth-Century France /
Statement of responsibility Pannill Camp --
Title chapter 28 Boxed Illusions --
-- From melodrama to naturalism /
Statement of responsibility Amy Holzapfel --
Title part, Modern and contemporary design /
Statement of responsibility C. W. Marshall --
Title chapter 29 Richard Wagner, Georg Fuchs, Adolphe Appia, and Edward Gordon Craig /
Statement of responsibility Christopher Baugh --
Title chapter 30 Russian Stage Design and Theatrical Avant-Garde /
Statement of responsibility Julia Listengarten --
Title chapter 31 Expressionism and the Epic Theater in early twentieth-century German stage design --
-- The Expressionist ethos /
Statement of responsibility Mel Gordon --
Title chapter 32 Bertolt Brecht and Scenographic Dialogue /
Statement of responsibility Christopher Baugh --
Title chapter 33 The New stagecraft /
Statement of responsibility David Bisaha --
Title chapter 34 Bauhaus scenography /
Statement of responsibility Melissa Trimingham --
Title part, III History and practice --
-- chapter 35 Metaphor, mythology, and metonymy --
-- Russian scenography in the Yeltsin era /
Statement of responsibility Amy Skinner --
Title chapter 36 Transformation of forms --
-- Polish scenography after 1945 /
Statement of responsibility Dominika Łarionow --
Title chapter 37 Modern and contemporary Czech theatre design --
-- Toward dramatic spaces of freedom 1 /
Statement of responsibility Barbora Příhodová --
Title chapter 38 Worlds of German design in the twenty-first century /
Statement of responsibility Matt Cornish --
Title chapter 39 Modern British theatre design --
-- UK design for performance since 1975 /
Statement of responsibility Kate Burnett --
Title chapter 40 Latin American scenography /
Statement of responsibility Lidia Kosovski Henrique Sá Luiz --
Title chapter 41 Design in the United States and Canada /
Statement of responsibility Arnold Aronson --
Title chapter 42 Spatial oscillations in the American avant-garde /
Statement of responsibility Stephen Bottoms --
Title chapter 43 Contemporary Chinese opera design --
-- The pursuit of cultural awareness /
Statement of responsibility Yi Tianfu --
Title chapter 44 Postmodern design for opera /
Statement of responsibility Ewa Kara.
520 ## - SUMMARY, ETC.
Summary, etc. "The Routledge Companion to Scenography is the largest and most comprehensive collection of original essays to survey the historical, conceptual, critical and theoretical aspects of this increasingly important aspect of theatre and performance studies.Editor and leading scholar Arnold Aronson brings together a uniquely valuable anthology of texts especially commissioned from across the discipline of theatre and performance studies.Establishing a stable terminology for a deeply contested term for the first time, this volume looks at scenography as the totality of all the visual, spatial and sensory aspects of performance. Tracing a line from Aristotle's Poetics down to Brecht and Artaud and into contemporary immersive theatre and digital media, The Routledge Companion to Scenography is a vital addition to every theatre library."--Provided by publisher.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Scene painting
General subdivision History.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Theaters
General subdivision Models
-- History.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Theaters
General subdivision Sound effects
-- History.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Theaters
General subdivision Stage-setting and scenery
-- History.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Aronson, Arnold,
Relator term editor.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
International Standard Book Number 9781138917804
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.taylorfrancis.com/books/9781315688817">https://www.taylorfrancis.com/books/9781315688817</a>
Public note Click here to view.

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