Strauven, Wanda <br/><br/>
The Cinema of Attractions Reloaded  
edited by Wanda Strauven 
 - Amsterdam   Amsterdam University Press  2006 
 - 460 p.   25 cm. 
 - Film culture in transition .
<br/><br/>Includes bibliographical references (p. [421]-433) and indexes. 
<br/><br/><label>ISBN: </label>9789053569450 (hbk.) 9053569456 (hbk.) 9789053569443 (pbk.) 9053569448 (pbk.) 
<br/><br/><label>LCCN: </label>2007427546 
<br/><br/><label>Subjects--Personal Names: </label><br/>Gunning, Tom Attractions: How They Came into the World <br/>Buckland, Warren A rational Reconstruction of 'The Cinema of Attractions' <br/>Kessler, Frank The Cinema of Attractions as Dispositif <br/>Bukatman, Scott Spectacle, Attractions and the Visual Pleasure  <br/>Gaudreault, André From "Primitive Cinema" to "Kine-Attractography" <br/>Strauven, Wanda From "Primitive Cinema" to "Marvelous" <br/>Paci, Viva The Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories <br/>Guido, Laurent  Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture <br/>Musser, Charles A Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions of the 1890s <br/>Lacasse, Germain The Lecturer and the Attraction  <br/>Keil, Charlie Integrated Attractions: Style and Spectatorship in Transnational Cinema <br/>Elsaesser, Thomas Discipline through Diegenis: The Rube Film between "Attractions" and "Narrative Integration" <br/>Dulac, Nicolas Circularity and Repetition at the Heart of Attraction: Optical Toys and the Emergence of a New Cultural Series <br/>Gaudreault, André Circularity and Repetition at the Heart of Attraction: Optical Toys and the Emergence of a New Cultural Series <br/>Blümlinger, Christa Lumière, the Train and the Avant-Garde <br/>Hagener, Malte Programming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s <br/>Jacques, Pierre-Emmanuel The Associated Attractions of the Musical <br/>MacMahan, Alison Chez les Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces <br/>Tomasovic, Dick The Hollywood Cobweb: New Laws of Attraction  <br/>Rossaak, Eivind Figures of Sensation: Between Still and Moving Images <br/>Sobchack, Vivian "Cutting to the Quick": Techne, Physis and Poiesis and the Attractions of Slow Motion <br/>Crafton, Donald Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy <br/>Gaudreault, André Early Cinema as a Challenge to Film History <br/>Gunning, Tom Early Cinema as a Challenge to Film History <br/>Musser, Charles Rethinking Early Cinema: Cinema of Attractions and Narrativity 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Motion pictures--History.<br/>Experimental films--History and criticism.<br/>Motion picture audiences.<br/>Cinéma--Histoire--20e siècle--Anthologies.<br/>Attractions (Spectacles)<br/>Films expérimentaux--Histoire et critique.<br/>Cinéma underground--Critique et interprétation.
<br/><br/><label>LC Class. No.: </label>PN1995  / .C4975 2006